City Graz Race July 2021 & the connection to Music

Rowing Club Graz / Ruderclub Graz Team

Rowing Club Graz / Ruderclub Graz Team

LIA Rowing Club Vienna

LIA Rowing Club Vienna

LIA Rowing Club Vienna

Becoming a member of the Rowing Club Graz most recently has brought me to covering the City Graz Race last Saturday on the River Mur.

One of the still hidden secrets of the City of Graz when you talk to people is the fact that you can actually row on our River Mur and that the Rowing Club Graz provides the possibility to attend courses to learn how to row if you engage with locals in a discussion.

So far still a newbie in the rowing world I decided to document the recent Race on the River Mur that brought several rowing clubs together to compete in the discipline eight boat racing for people unfamiliar to rowing, meaning that eighth people row in one boat, not as usual three to five like in normal rowing boats and that you do not have two oars each but simply one per person that are distributed to both sides equally  by means of every second rower having one oar pointing in the same direction, boats mainly used for professional racing.

One of the greatest misconceptions by the general public is the distinction between paddling and rowing as they simply did not grow up with it like me, not being priviledged  enough to be sitting in a rowing boat from early childhood onwards.

Rowing for me has a lot to do with music as well as you hear and feel the progress of being in a team in a boat yourself whilst rowing up and down the stream when everyone is pulling in the same direction and the team becomes one, perfectly rowing together, moving a boat across the river with a fine sizzling sound when the oars are moved backwards in the right manner.

When documenting the race I was early and took a photograph of the participating rowing club LIA, who are the first existing rowing club in Vienna, who went up to the starting point where the race began. The moment they passed I heard their tact when the oars hit into the water and gently swirled across the surface of the river backwards and that moment I knew we had no chance to win.

You might ask yourself why the sound is so important and looking at the live pictures I took several times to analyse why our team from Rowing Club Graz did not make it in the end,  I realised that we had a similar technique but simply weren’t in the same tact entirely. Not a single additional rowing stroke audible, no clacking of the oar against the one behind, simply a perfect brief cut into the water and a fast follow up stroke afterwards.

Nonetheless retrospectively it can be said that it is a great success to win against a team of that caliber once, with rowers participating, who took part in olympic games before and make it their sole discipline to row in the eighth boat all over the year and I look forward to our progress for the next year to compete again when we perfected our technique, maybe I am as far at that point to join the team myself.

For the moment I enjoy the club evening rowing training still as a newbie training and learning from those in my club Rowing Club Graz, that won a race against olympic games rowers from our friends in Vienna Rowing Club LIA at the beginning of the tournament.

The finals were a close head to head race between Vienna University and LIA Rowing Club Vienna resulting in a win of the tournament by LIA Rowing Club Vienna.

The extended living room of the City of Graz I called the River Mur banks in my concept for the Sculpture Garden on the River Mur and it indeed is extended to the Rowing Club Graz which can be reached by foot from the centre of Graz in 6,5 kilometres taking about 1,5 hours to engage in a truly royal sport with people who have the same interest, to excel and make the river their own for two hours of rowing in the club evenings every week.

How to become part of the rowing community if you do not yet have heard of it get in touch with the rowing club Graz and subscribe to their newsletter on their website: http://www.ruderclub-graz.at

One hint for those taking part in the rowing classes, wear a T-shirt covering your back entirely, it is called rowing shirt but every rower knows, that the back has to be covered to prevent yourself from sun burns if rowing during the day especially the lunch time hours.

I hope you enjoyed my first cover of a sports event that had nothing to do with my work as a curator for contemporary art and Wealth Adviser for Art as Investment. In the boat, I take the commands given by the boats woman or man, like the entire team in the boat, allowing for a team effort resulting in something that is both physically demanding and keeps people engaging in a singular goal, to move a boat across the river.

Someone once asked me once what my hobbies are, I did not know the answer as my life consisted of work alone but now I can say my hobby is rowing and  I try to excel as best as I can to be part of the rowing community in the City of Graz and train after work to keep a perfect balance between work and private life. As I won every possible medal in walking challenges already in the past month, I take on a new challenge to master something I so far did not engage in the best I can guided by professionals in this field.

All my best and have a lovely summer,

Daniela Haberz, M.A.
Curator & Wealth Adviser for Art as Investment & Rowing newbie

______________________________________________

Photo Credits: Daniela Haberz, M.A. for AØH Art Consultancy Haberz e.U.
______________________________________________

Contact Rowing Club Graz:
Murfelderstraße 260
8041 Graz
Austria

E-mail: office@ruderclub-graz.at
Link: http://www.ruderclub-graz.at

AØH Recommendation Shirazeh Houshiary @ Lisson Gallery, London, Cork Street

Exhibition Pneuma by Shirazeh Houshiary, Installation View at Lisson Gallery, Cork Street until 31st of July 2021

When I saw the new ouvre by British artist, with Iranian roots, Shirazeh Houshiary, I realised that she was strongly connected to nature, the cosmos and nature phenomenons such as the Nordic lights or Milky ways. From my research on Nordic countries, I subsequently travelled to as well, I knew of the phenomenon Nordic lights, which is clearly referenced in Houshiary’s work Enigma, 2020 on view in the UK for the first time.

Enigma, 2020 by Shirazeh Houshiary

Upon a closer look, as well small marks with pencil become visible, showing a succession like on a star map indicating points by means of little crosses on a distorted line drawn across the painting. The gallery director Louise Hayward told me, that Shirazeh Houshiary is inspired by physics, namely the string theory, for me the crosses symbolised stars on a star map and the painted distorted planes can be seen as green and blue coloured milky ways and the marked crosses indications of where stars are located in the universe.

Enigma, 2020 (Detail) by Shirazeh Houshiary

When the work was hung, as well the connection between the works become evident as if the painted wave-like shapes across the canvas became alive and floating as well in-between the canvas’

Pieta, 2021 by Shirazeh Houshiary

Loci, 2021 by Shirazeh Houshiary

The new body of work in Shirazeh Houshiary’s exhibition Pneuma, whom I mainly knew as a sculptor from past works I was familiar with, show this three-dimensional aspect in a painterly manner when looking closely from different angles standing in front of the canvas’ As if the nebulas in the cosmos take form and are prolongued into the exhibition space, the empty space being integral part in her carefully placed artworks on specific locations in the gallery space in Cork Street in London.

Pneuma, 2021 by Shirazeh Houshiary

The artworks when acquired from my point of view should definitely been seen as dyptichon and tryptichon or even a series of the entire display as only then they reveal this phenomenon of creation of a nebula within the space in-between the canvas’ allowing us to temporarily stand in the cosmos ourselves.

From my point of view, a clear reference can be seen to the Icelandic artist Olafur Eliasson, depicting Nordic lights by means of using the colour green in a very intense way throughout his artistic work over the years whilst Houshiary creates an additional layer of placing the lights in a cosmic surrounding relating it to stars and milky ways by means of small interventions with pencil.

Loci, 2021 (Detail) by Shirazeh Houshiary

By means of positioning them towards each other she creates a space that encapsulates us in her world whilst standing in front of the paintings, draws us into her world, dissolving it upon leaving the exhibition space.

Like Foucault said,  a space always has a certain notion in relation to it’s whereabouts and history, partly man-given over the course of time, further defined by our current immediate use of it. Shirazeh Houshiary creates and transforms the exhibition space herself in a very intense manner, giving us the opportunity to dive into her world and allow us to become calm yet agitated by means of creating these as well negative versus positive in-between spaces invisible at first but engaging our eye when spending time with her oeuvre in a more detailed and intense engagement.

The exhibition can be highly recommended and is on view at Lisson Gallery in Cork Street until 31st of July during opening hours Tuesday – Saturday, 11am – 6pm and upon appointment. Prices upon request to the gallery.

Lisson Gallery
22 Cork Street
London W1S 3NA
+44 (0)20 7724 2739
E-mail contact@lissongallery.com
Web: http://www.lissongallery.com

All my best wishes and I am looking forward for you to experience and engage with Shirazeh Houshiary’s work,

Daniela Haberz, M.A.
Curator & Wealth Adviser for Art as Investment
AØH Art Consultancy Haberz Limited

Photo Credits: Daniela Haberz, M.A. for AØH Art Consultancy Haberz Limited

________________________________________________

London Office:
AØH Art Consultancy Haberz Limited
83 Baker Street
London W1U 6AG
United Kingdom

Head office:
AØH Art Consultancy Haberz e.U.
Schoergelgasse 32/1/6
8010 Graz
Austria

Mobile Great Britain: +44 759 265 7030
Mobile Austria: +43 664 182 8678
E-mail: dhaberz@artconsultancyhaberz.org
Web: http://www.artconsultancyhaberz.org